Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Samuel Lovett Waldo
David Leavitt

ID: 71700

Samuel Lovett Waldo David Leavitt
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Samuel Lovett Waldo David Leavitt


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Samuel Lovett Waldo

American Painter, 1783-1861 American painter. After attending a country school and working on his father farm, he decided at the age of 16 to become an artist. He took lessons from Joseph Steward (1753-1822), a retired minister who operated a portrait studio in Hartford, CT. Waldo opened his own studio in Hartford in 1803, before moving on to paint portraits in Litchfield, CT, and Charleston, SC. In 1806, bearing letters of introduction to Benjamin West and John Singleton Copley, Waldo travelled to London, where he studied at the Royal Academy. His portrait of Mr M Dougle (untraced) was shown at the Royal Academy in 1808.  Related Paintings of Samuel Lovett Waldo :. | Maria Clarissa Leavitt | Mrs James K Bogert Jr | Maria Clarissa Leavitt | David Leavitt | Old Pat |
Related Artists:
Ilya Repin
Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.
Alfred de breanski
1852-1928
BALDUNG GRIEN, Hans
German Northern Renaissance Painter and Printmaker, ca.1484-1545






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